Yoel Pytowski - Fondation Fiminco

Yoel Pytowski

Yoel Pytowski, The Stamp of the Definitive is Avoided , exhibition view, Experimental Intermedia, Ghent, Belgium, 2021. Installation, wood, plasterboard, neon, concrete, unmixed cement and transparent tarpaulin. Variable dimensions.

About Yoel Pytowski

Yoel Pytowski (born 1986 in Rehovot, lives and works in Belgium). His practice questions, through site-specific installations, the designation of place as a central narrative element, evoking past or future events of construction, destruction and reconstruction.

He studied computer science in Buenos Aires, followed by a Bachelor of Engineering Sciences in France. In 2014, he obtained a master’s degree in Drawing at ENSAV La Cambre in Brussels followed by a master’s degree in Fine Arts in 2018 at Sint-Lukas in Brussels. He has been invited several times as a guest lecturer at the Catholic University of Louvain in Brussels and in Louvain-la-Neuve in the architecture department.

Recently, he has participated in several solo and group exhibitions in Belgium, France, Greece, the Netherlands and Portugal, . In 2018, he was selected as the 1st winner of the ArtContest prize in Brussels (BE). In 2021, he exhibited at Magma, the Triennale of Ottignies-Louvain-La-Neuve (BE). Recently, he presented the solo exhibition Façades, at Centre culturel de la Fédération Wallonie-Bruxelles (BE, 2020), The Stamp of the Difinitive is Avoided at Experimental Intermedia (BE, 2021) and One-Way Street, at Espace Moss (BE, 2019). In 2022, the Centre Wallonie-Bruxelles|Paris accompanied Yoel Pytowski’s residency at Moly-Sabata, Sablons (FR). He also exhibited at La Sira, Asnières, in the group show Only One Step From Heaven. In 2023, he participated in Symbiosium, a group show organized by the Centre Wallonie-Bruxelles|Paris, curated by Stéphanie Pécourt and Christopher Yggdre, and in September he will participate in a group show at the Centre Wallonie-Bruxelles|Paris curated by Albert Baronian.

Yoel Pytowski, The Stamp of the Definitive is Avoided , exhibition view, Experimental Intermedia, Ghent, Belgium, 2021. Installation, wood, plasterboard, neon, concrete, unmixed cement and transparent tarpaulin. Variable dimensions.

Yoel Pytowski, The Stamp of the Definitive is Avoided , exhibition view, Experimental Intermedia, Ghent, Belgium, 2021. Installation, wood, plasterboard, neon, concrete, unmixed cement and transparent tarpaulin. Variable dimensions.

Yoel Pytowski, The Stamp of the Definitive is Avoided , exhibition view, Experimental Intermedia, Ghent, Belgium, 2021. Installation, wood, plasterboard, neon, concrete, unmixed cement and transparent tarpaulin. Variable dimensions.

Yoel Pytowski, Façade d'intérieur, Jan Naaijkens Price, Tilburg, 2018. Installation, wood, plasterboard, neon, concrete, unmixed cement, transparent tarpaulin. Variable dimension.

Yoel Pytowski, Minus Three, MAGMA, Triennale d’Ottignie-Louvain-La-Neuve, 2021. Installation, stanchions, scaffolding net, neon lights. Variable dimension.

Yoel Pytowski, One-way Street, exhibition view, Espace Moss, Brussels, Belgium, 2019. Installation, plasterboards, concrete, cement, wood. Variable dimensions.

Yoel Pytowski, The Stamp of the Definitive is Avoided , exhibition view, Centre Culturel Botanique, Brussels, Belgium. Installation, wood, plasterboard, neon, concrete, unmixed cement, transparent tarpaulin and sound. Variable dimensions.

Yoel Pytowski, The Stamp of the Definitive is Avoided , exhibition view, Centre Culturel Botanique, Brussels, Belgium, 2020. Installation, wood, plasterboard, neon, concrete, unmixed cement, transparent tarpaulin and sound. Variable dimensions.

Yoel Pytowski, Fourth Floor, exhibition view, Art Contest Prize, Espace Vanderborgh, Brussels, Belgium, 2019. Mixed media, plasterboards, wood, concrete, cement. Variable dimensions.

Yoel Pytowski, Fourth Floor, exhibition view, Art Contest Prize, Espace Vanderborgh, Brussels, Belgium, 2019. Mixed media, plasterboards, wood, concrete, cement. Variable dimensions.

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